篠崎バイオリン工房―楽器製作用材木販売―shinop.com

The Trade Secret 4の目次

FORM AND CONSTRUCTION
6 Annual wood jointing session Feng Jiang
9 Pre-bushing a cello endpin hole Michael Doran
12 Laying out the corners Christopher Jacoby
15 Marking out measurements Torbförn Zethelius
18 Using a 'double-cross' violin mould Carsten Hoffmann
21 Making a cello mould Sebastian Zens
24 Clamping a centre joint George Yu
27 Installing a carbon-fibre reinforcement to a cello neck Raymond Schryer
31 Decorating a viol soundhole Shem Mackey
34 Laying out f-holes Torbjörn Zethelius

VARNISH
38 Adapting a workspace for vamishing Joseph Curtin
41 Making lake pigments for vamish Paul Belin
14 Harvesting pine resin for varnish Nicolas Gilles
47 A personal approach to varnishing Hans Jhannsson
50 Blackening the chamfers Davide Sora

RESTORATION AND REPAIR
54
Gluing cracks Christian Schabbon
57 Maintaining a good gluing surface Sharon Que
60 Repairing divots in bass and cello plate edges Arnold Schnitzer and Keiran O'Hara
63 Peg restoration Jenelle Steele
66 Cello rib doubling Andrew Carruthers
69 The 'pastry bag' approach to making plaster casts Francesco Piasentini
72 Making plaster casts for restorations Jan Spidlen and Václav Pikrt

SET-UP
76 A different approach to the bass-bar Christian Bayon
79 Colouring boxwood pegs Collin Gallahue
82 Making and fitting Baroque bridges and tailpieces Mathis A. Heyligers

TOOLS
86 Making a bridge knife Guy Cole
89 Clamping a fingerboard securely Guy Rabut
93 Tools for perfectly squared edges Davide Sora
96 A shop-made hand plane for fingerboards David Fink

BOWS
100 Making a drill bit for a Parisian eye Matt Wehling
103 Making a bow button Bernd Etzler
107 Repairing a bow head Steve Beckley
110 Removing a broken screw embedded in a bow stick Eric Lane
113 Thumb projection crack removal Jenelle Steele
116 Building an ebony stop into a bow frog Matt Wehling

The Trade Secret 5の目次

FORM AND CONSTRUCTION
6 A new method for resawing rib stock David Polstein
9 Bending the slope on a viola da gamba back Gabriela Guadalajara
12 Cutting f-holes William Castle
15 Making a mould and rib structure for a copy of an old instrument Christopher Thorp
19 An innovative method of neck setting Hayato Nagaishi
22 Asymmetric neck shaping Gabriel Reinhold
25 Neck shaping Thilde van Norel
28 Organic scroll carving Peter Bingen

EDGEWORK AND PURFLING
32 Making Gagliano-style purfling Andreas Press
35 Inlaying purling on a soft spruce top plate Berl Mendenhall
38 Making and fitting purfling Hans Pluhar
41 Recreating original purfling Janet Starck-Toon
45 Inlay techniques Andrea Schudtz
48 Arching, channelling and edgework Antoine Nédélec

VARNISH
52 Making madder root pigments Hugh Withycombe, Guy Harrison
58 A method for cooking oil varish Nicolas Gilles

RESTORATION AND REPAIR
62 Glue: a major sticking point Christian Schabbon
65 Maintaining a cello top arch Stacey Styles
68 Making a jig for arching corrections Shirley White
71 Regluing split corner-blocks James Thornton
74 Repairing damaged blocks Luca Baratto
77 Lengthening a violin neck Lionnel Genovart
80 Designing a bridge for a violin with distorted arching
Andrew Ryan

SET-UP
84 Notes on cello endpin fitting Guy Rabut

TOOLS
88 Cleaning oil vamish from brush heads Michael Köberling
91 Using a flat gouge Stefan Lindholm
94 Flattening planes Yann Poulain
97 A peninsular bench extension Theo Marks
100 'Small tools, big help' Gregorz Bobak
103 Making and using a simple collar for self-centring Rudolf Pilsel
106 Creating and sharpening knives Dominique Nicosia, Etienne Bellanger

BOWS
110 Removing a pearl slide from a bow frog Ken Altman
113 Filling and retouching missing bow wood Markus Lane
116 Making a Tourte-style eye Victor Bernard

The Trade Secret ６の目次

FORM AND CONSTRUCTION
6 Removing a mould after gluing the linings Davide Sora
9 Carving the neck on a viola da gamba Shem Mackey
15 An easy system for making a template and mould Ulrich Hinsberger/Maarten de Keukeleire
12 Making a single-use mould Rudolf Pilsel
19 Gluing the C-bouts using a Cremonese mould Fany Bourel
22 Making a cello and bass mould Trevor Davis

EDGEWORK AND PURFLING
26 Decorating a copy of a historical violin Maurizio Tadioli
29 Making purfling Sebastian Ribes/Marianne Jost
32 Making purfling with fish glue Christopher White

VARNISH AND GLUE
36 Making a pigment grinder Nicolas Gilles
39 Gluing the linings with counterforms and springs Milena Noventa
42 Varnish crackle effects Pablo Alfaro

RESTORATION AND REPAIR
46 Making a partial plaster cast Renate Fink
49 Making an invisible neck graft Andreas Preuss
52 A 'plug and plate' repair for a double bass neck Matthew Tucker
55 Making a scroll cast using foam Mark Schnurr
58 Making an ebony crown Georgi Nikolov
61 Cleaning and repairing surfaces before closing an instrument top Guillaume Schönau
64 A platform for gluing a broken button Greg Sapp

SET-UP
68 Reinforcing a cello bridge Andreas Preuss
71 Using Baker-style mechanics on a double bass Stefan Krattenmacher
74 Making a Baroque cello bridge Sarah Peck
77 Fitting a bridge to a violin belly Michael Daddona
80 Replicating peg shapes without a copying lathe Pablo Soriano
83 Making a fingerboard template with aluminium Atilla Okan
86 Carving a 'Hill-style' saddle Michael Doran

TOOLS
90 A tool to measure string tension Robin Jousson
93 Making a soundpost jig Rudolf Pilsel
96 Packaging and shipping a violin Philip Ihle/Victoria Farrell-Reed
100 Making and using a jig for centralising plates Stephen Quinney

BOWS
104 Making a Parisian-eye ring Eric Lane
107 Designing and making a ferrule Éric Gagné
110 Repairing a bow thumb groove Iris Zhulla
113 Restoring the octagon of a violin bow Erich Perrotta
116 Repairing a broken bow head Lauri Tanner