篠崎バイオリン工房―楽器製作用材木販売―shinop.com

The Trade Secret (1)の目次

FORM AND STRUCTURE
6 MAKING A MOULD, by John Dilworth
10 CONSTRUCTING A BRESCIAN VIOLA, by Beniamin Ruth
13 VIOL MAKING WITHOUT A MOULD, by Shem Mackey
16 MAKING RIBS, by Neil Értz
19 MAKING THE RIBS FOR A CORNERLESS VIOLA, by Helen Michetschläger
22 USING PLANES IN ARCHING AND
HOLLOWING, by Kai-Thomas Roth
25 MAKING ACCURATE ARCHING TEMPLATES, by Raymond Schryer
28 MAKING A STEAM-BENT VIOLA FRONT, by Helen Michetschläger
31 POSITIONING AND CUTTING F-HOLES, by Andrew Ryan
34 CUTTING AN F-HOLE, by Hans Pluhar
37 GLUING IN C-BOUT RIBS, by William Scott
40 CONTROLLING THE C-RIB CORNER SHAPE, by Peter Goodfellow
42 ARCHING TECHNIQUE, by Torbjörn Zethelius
45 ARCHING TECHNIQUES, by Juliet Barker
48 GRADING A CELLO TABLE by Kai-Thomas Roth
51 MAKING A VIOL SOUNDBOARD, by Shem Mackey
54 MAKING THE 'BREAK' IN A DOUBLE BASS, by Kai-Thomas Roth
57 INSTALLING A BASS-BAR, by Joseph Curtin
60 MAKING A BAROQUE BRIDGE, by Roger Rose

NECKS, SCROLLS AND FINGERBOARDS
64 CARVING A SCROLL, by Hans Pluhar
67 CARVING A SCROLL, by Jan Spidlen
70 FITTING AND CUTTING A NECK, by Hans Pluhar
73 FITTING A BAROQUE VIOLIN NECK, by Shem Mackey
76 FITTING A DOUBLE BASS NEC, by Stefan Krattenmacher
79 REINFORCING A NECK WITH CARBON FIBRE, by Guy Harrison
82 STABILISING CELLO NECKS, by David Burgess
85 MAKING A BAROQUE FINGERBOARD, by Shem Mackey
88 SHAPING A CELLO FINGERBOARD, by Peter Goodfellow
91 FITTING TUNING PEGS, by Andrew Finnigan

EDGEWORK AND PURFLING
96 HOW TO MAKE PURFLING, by Kai-Thomas Roth
99 HOW TO INLAY PURFLING, by Kai-Thomas Roth
102 MAKING AN EDGE, by Jan Spidlen
105 MAKING AN EDGE II, by Jan Spidlen
108 FITTING AND GLUING C-BOUT PURFLING, by John Gosling
111 MAPLE EDGING, by Raymond Schryer
114 RECREATING BAROQUE PURFLING, by Andreas Jacobi

VARNISH
118 GRINDING PIGMENTS, by John Dilworth
121 PREPARING THE GROUND, by Gregg Alf
124 HOW TO MAKE VARNISH, by Adele Beardsmore
127 HOW TO APPLY VARNISH. by William Scott
130 BURNISHING VARNISH TO A FINE POLISH, by Joe Robson

REPAIR
134 CLOSING CRACKS ON THE TOP OR BACK, by Wendy Moes
137 PATCH FITTING, by Joseph Grubaugh and Sigrun Seifert
140 ARCHING CORRECTION, by John Milnes
143 HOW TO USE UV LIGHT IN RESTORATION.
by Mark Robinson
147 FIXING CRACKS ON A DOUBLE BASS BACK, by James Ham
150 HOW TO REPAIR PEGBOX CRACKS, by Florian Leonhard

The Trade Secret 2の目次

VARIOUS
4 Collected articles Gregg Alf, James Ham, Adele Beardsmore, Shem Mackey, Kai-Thomas Roth, Matthew Wehling

FORM AND STRUCTURE
8 Making a thickness map Hans Pluhar
11 Installing a violin bass-bar Feng Jiang
14 Cutting a double bass f-hole Stefan Krattenmacher
17 A historically informed system of plate shaping Jérémie Legrand
20 Lashing ribs to blocks Francis Kuttner
23 Cutting wood in the right direction Nicolas Gilles

NECKS, SCROLLS AND FINGERBOARDS
28 Setting a neck Howard Needham
31 Setting a neck Howard Needham
34 Carving an asymmetrical viola scroll David Rivinus
37 Shaping necks using a mortise rig Raymond Schryer
40 Carving a scroll using angular templates Torbiörn Zethelius
43 Making pegs Eric Meyer
46 A speedy tuning system for basses Mario Lamarre

EDGEWORK AND PURFLING
50 Brescian type purfling 1 Helen Michetschläger
53 Brescian type purfling 2 Helen Michetschläger
56 Inserting a decorative rose in a viol soundboard Shem Mackey
60 Making madder-root lakes David Rivinus

VARNISH AND REPAIR
63 Antiquing Gregg Alf
66 Making plaster casts using vacuum bagging Andrea Ortona
69 Reinforcing a crack under the bass-bar of a double bass
James Ham
72 Correcting arching using a vacuum Christian Schabbon

TOOLS
76 Using a CNC router for violin making Michael Molnar
79 Modifying woodworking planes James Ham
82 Making a universal cam-action work cradle Guy Rabut
85 Working efficiently with hot glue David Burgess

BOWS
90 Making a Baroque ivory frog Roger Rose
93 Making a Baroque bow Roger Rose
96 Packaging bows for transportation Benoit Rolland
99 Winding a bow grip from silver and silk Matthew Wehling
102 Inserting a microlens into a bow Matthew Wehling
105 Repairing a bow Giovanni Lucchi
108 Restoring bow frogs Giovanni Lucchi
111 Centring a bow's button hole Matthew Wehling
114 Reattaching bow buttons Matthew Wehling

The Trade Secret 3の目次

FORM AND STRUCTURE
4 Using a skeleton mould Andrew Carruthers
7 Using a ghost mould Maurizio Tadioli
10 Clamping a cello back and top joint Francis Kuttner
13 Casting a soundhole Shem Mackey
16 Making Cremonese corner templates Torbjörn Zethelius
19 Clamping a violin f-hole crack Sharon Que
22 Reducing the length of a viola rib structure Marcus Klimke

NECKS, SCROLLS AND FINGERBOARDS
26 Fitting a new fingerboard to an old violin Andrew Ryan
29 Drawing a scroll on a computer Kevin Kelly
32 Setting a Baroque neck Mathis Heyligers
35 Bending a violin neck Jan Spidlen
38 Viola neck shaping Helen Michetsch läger
41 Making a top nut Andrew Finnigan
44 Neck fitting Helen Michetschläger
47 Making a viola da gamba scroll Hubert de Launay
50 Digitising the violin fingerboard Joseph Curtin, Alex Sobolev

EDGEWORK AND PURFLING
54 Notes on edgework and purfling Ulrich Hinsberger
57 Making purfling John Dilworth

VARNISH
62 Making traditional lake pigments - part one Eero Haahti
65 Making traditional lake pigments - part two Eero Haahti
68 Antiquing - part one Jeff Phillips, Antoine Nédélec
71 Antiquing - part two Jeff Phillips, Antoine Nédélec

BOWS
76 Making a Baroque bow Philip Brown
79 Removing a broken screw shaft Eric Lane
82 Drilling out a broken brass eyelet Matt Wehling

SET-UP
86 Marking the set-up Joseph Curtin
89 Installing adjusters for a double bass bridge Mario Lamarre
92 Making a low-C extension for a double bass David Briggs

TOOLS AND REPAIR
96 Making a profiler Nicolas Gilles
99 Making a rehajrable brush Guy Rabut
102 Treatment of woodworm damage using wood filler John Gosling
105 Using glass bead to measure wood density and interior air volume Douglas Cox
108 Making and sharpening card scrapers Michael Köberling
111 Replacing missing ivory in a violin chamfer Janet Starck-Toon
114 Spiral bushings for peghole repair Dan Weisshaar